By combining timelapse and rotoscoping techniques, director Philip Stockton presents New York City in a new light… and darkness at the same time. By piecing together scenes that were shot in the same location for 4 to 8 hours, Stockton collides daytime and nighttime into one gorgeous shot. See brightly lit cars on lamplit streets and sunlit people walking through nighttime intersections. The awe-inspiring imagery is well worth the months of late nights Stockton spent seamlessly editing this footage together. What an amazing idea! [Read more...]
Visual Bits #192> Stunning Photography
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Rear Window Exposed: The Movie Set in One Frame
With a little dissecting, Photoshop and After Effects, Jeff Desom reveals the entirety of Alfred Hitchcock’s “Rear Window” set. For all of you who have seen this film, you will understand why this panoramic view is so fascinating. As the plot flowed from window to window in the original film, the world on the movie screen seemed so much larger. Now we can not only see the entire set, but also see the events of the movie happening in sync with the actual movie plot. [Read more...]
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