It’s commonly known that Picasso painted portraits of his many lovers, often with loads of style but less than realistic features… but what if he painted only what he saw? Flóra Borsi has creatively re-imagined four classic portraits with distorted subjects from famous 20th century painters. In each example she humorously (and a bit shockingly) brings to life the character in the painting – warped features and all – and places them posing next to their portrait. [Read more...]
An Homage to Picasso Through Photography
Madrid based artist Eugenio Recuenco is known in many circles as a renaissance man. His portfolio is impressive, spanning many fields including film. Inspired by this cinematic approach, his photography has been described as ‘pictorial masterpieces’ rather than just photographic captures. With a style that is both elaborate and detailed, one can clearly see the care he puts into location, lighting and costumes for each image. As a way to pay homage and respect to a fellow Spanish artist, Pablo Piacsso, Recuenco has created a series of photographs using models to emulate poses from some of the Spanish master’s works. [Read more...]
Interactive: Exploring Abstract Artist Connections
Today it’s easy to take for granted the massive shift abstract art had on the art world and society as a whole. It’s easy to forget that at one time “realism” was par for the course and even the expressionists made sure you could identify the objects in their works. Then, just a little over 100 years ago, abstract artists appeared on the scene forever changing what could be considered art. This interactive visualization by New York’s Museum of Modern Art explores the similarly forgotten fact that many of the first abstract artists where highly connected to one another. [Read more...]
Picasso’s Light Drawings: Still Shining from 1949
When LIFE Magazine photographer Gjon Mili visited Pablo Picasso in the South of France in 1949, the two began work on the captivating images you see here… and it all started quickly. LIFE wrote in its January 30, 1950 issue, in which these images first appeared, “Picasso gave Mili 15 minutes to try one experiment.” The results from the short session must have made a good impression because he worked with Mili on five more. [Read more...]










