Just when you thought Barcelona’s Sagrada Familia basilica couldn’t get any bigger, another tower goes up. The master work of Antoni Gaudi, the fantastic structure is on a truly classic building schedule. Started in 1882 (just 131 years ago) the structure was only half completed in 2010. That means there’s far more to complete, and even at its current dizzying height, there’s far more upward growth to be seen. With a strong final push, new targets have been set for a final completion in just 13 years – at the end of 2026. [Read more...]
In the heart of Barcelona is one of the world’s most amazing cathedrals. La Sagrada Familia, which was designed by Antoni Gaudi and is still under construction after 130 years, still moves everyone that walks through its doors. The structure is highly unique, and while it takes inspiration from the common Gothic cathedrals found in Europe, it employs a much more contemporary aesthetic in its form. It is hoped that the cathedral will be completed by 2026, 100 years after the death of Gaudi. [Read more...]
Dekotora: an art born in the land of the rising sun, where cool delivery trucks are customized with wild treatments of chrome, stainless steel, colorful airbrushed murals and hundreds of neon lights to brighten the night. In this new series All The Wrong Places from Vice, Elliott Bambrough explores Dekotora culture around Tokyo and the Japan countryside, visiting the birthplace of the trend which began in low budget mid-70s B movies about truckers going on adventures and “chasing tail.” While truck culture has been waning in Japan, Bambrough gives it a little kick… check out the Dekotora treatment to his Mini at the end of the video. [Read more...]
Taking normal household trash that would most likely be headed for the landfill, artist Zac Freeman uses a decade’s worth of collected junk to create amazingly realistic portraits. With his ‘paint’ being buttons, small toys, old film canisters, Legos and much more, he carefully arranges these small bits and bobs and applies them to wooden substrate with glue. Faces literally jump off the page with intense depth and texture, so that when seen from a distance, they smooth into an organized, lifelike whole.