If you have ever failed to remember a chess piece’s playing direction, then this is the chessboard for you. Designed by Bauhaus sculptor Josef Hartwig in 1923, the set’s pieces are formed to represent their particular function. This was accomplished by reducing the traditional shapes of the pieces into simple shapes, such as circles, crosses and squares. [Read more...]
Born in 1919, Swiss designer Max Huber took to graphic design early in life, studying under such notables as Walter Roshardt and Alfred Willimann when he was just 17. He received his first job in Milan when he was 21, getting the attention of his future boss, Antonio Boggeri with his precicely hand-drawn calling card. Working frequently as a freelance designer, Huber enjoyed experimentation and would often do so even on client work. Much of his work combined un-framed photographic elements with exploritory typographical details, using bold linear splashes of color to give his images a sense of speed.
“He was a splendid mix; he had irrepressible natural talent and a faultless drawing hand; he possessed the lively candour of the eternal child; he was a true product of the Swiss School; he loved innovatory research; he boasted a lively curiosity, being quick to latch on – not without irony – to the most unpredictable ideas, and he worked with the serious precision of the first-rate professional.”
- Giampiero Bosoni